Now, as the season's coming to a close, the days are long enough for me to get some good exterior shots prior to a performance, which I did before last week's concert.
This is the river-side of the building. They've done a great job of connecting it with our city's wonderful eponymous river, and until last Saturday I didn't even know this great vantage point was here!
That's because I've always entered from the opposite side, which is pretty impressive in its own right:
This front facade is all that remains of the old Auditorium, but most folks agree that it was its best feature. (To see how thoroughly the older building has given way to the new, check out these photos I took from early in the demolition/construction.) By the way, yes, those are cars up on the front "porch," which I've always found a little weird. But I guess it must be some sort of sponsorship/big donor thing.
But aren't those semi-Moorish towers gorgeous!? I couldn't help but take more photos of them (including the one from inside that I featured last Wordless Wednesday).
Probably the most imposing facet of the Center is that metallic edifice that encloses the space all the way up to my balcony seats. It's quite a lot of shiny stuff, particularly from the river side and in the late, late afternoon sunshine...
I love the shadows the palm trees cast when the sun is this low. There's a performance space here, too, as well as a very nice park area with some great features that I tell you about over on Bridges to London.
Going inside for just a minute, I have to remark upon the Symphony program I heard. Not only did they play one of my favorite Beethoven symphonies (#7) but there was something totally new under my musical sun: a percussion concerto! It was astonishing! The guest artist was Evelyn Glennie, who I'm learning more about...what an amazing person!
In case you can't quite wrap your head around what a percussion concerto would be like, here's a photo that might help...although without hearing the astounding variety of sounds that come from these instruments, you won't really be able to appreciate it:
It had three parts, and Ms. Glennie moved seamlessly from the wood-based to metal-based instruments, before ending up with the drums. Very, very cool!




















